被遺忘的維度 Forgotten Dimension
FENKO 鳳嬌催化室的品牌總監李依耘 (Lino Lee,以下稱 Lino) 自從2016年回台灣,2018年正式成立品牌 FENKO 鳳嬌催化室。長時間擔任品牌總監的角色,這次(2020年)在 TAO ART 是Lino第一次以個人名義創作,在作品中容許帶入她較個人的內在思維在裡頭,因此是一次很特別的經驗。
Lino的創作靈感大部分是來自生活環境以及觀察自然與物件的感受延伸,或是對於生活的反思。腦海中時常會停留許多殘影,也許是光影、眼神、一片從樹上飄下的落葉、隨機生活際遇所帶來的靈感,特別是在大自然的無形能量更是自己的創造的泉源。
Since returning to Taiwan in 2016 and launching the brand “ Fenko Catalysis Chamber” in 2018, I have played the role of being the Brand Director. This is the first time I’ve been invited to create my own artwork which allowed me to bring some personal thoughts into the work I have created.
My inspirations come from observing my surroundings in life and extending the feelings inspired by nature and encounters in my daily life.
而「紙」,在自己的生命中佔了很重要的位置。從家族在紙產業的傳承使命以及與親人情感凝聚之中,產生了與紙在情感層面上的多層層次。從各式紙的原料、紙質、特性,一直到背後承載的無形價值。對紙的情感遠超於在手中的使用,更多是想像著它能在不同介面層次被放大跟塑型的可能性,融入生活。由「紙」出發,但也不限於單一材質,因為「紙」的細緻度與脆弱度,更能看見在極限中的精彩性。對於大自然的吸引力,一直都是十分仰慕的。也很喜歡在自己的時間裡,沉浸在大自然的懷抱中,尋找屬於美的視角或是感受,留存在自己的腦海深處,累積屬於自己對世界的見解,延伸一個自己所看到的世界的信念。同時也深深相信留白所隱喻的自由、開放,同時是一種回溯本質的省思表現。
Most importantly, “paper” plays a major role in my life. With my family spirit inherented in the paper industry and the cohesion of our family. It provides me with an unique multi-layer of feelings towards paper. Starting from the types of materials used in production and complicated processes to the hidden stories of the paper-makers, paper is more than a “tool” in our lives. It’s more about the possibility of shaping paper and enlarging its underlying potential now and in the future.
On the other hand, nature has always been admiring to me. I’ve always loved to spend my time immersing in nature, finding the scope of beauty or feelings and preserving deep within. I could easily accumulate my points of view about the world, and build on the the belief I grasp constantly. I truly believe freedom and openness as metaphors for “blankness”.
因此在創作中,也喜歡保留質地的原始樣子,甚至不添加其他添加裝置,好好發揮材質本身的氣質。在創作的當下,除了呈現自己所感知的,也期待能夠觸碰到與自己世界共振的不同靈魂,進而不經意地找到每一個人內在的「純粹」共鳴。
It is also about reflecting on the essence, therefore, I tend to keep the original texture of materials, abandon excess decorations and focus on the nature of materials. I also tend to present what I directly perceive, and am always looking forward to connect with souls that resonate with my own, and inadvertently find the “pure” within each and one of them.
藝術家|Lino Lee
Lino Lee (李依耘) 現為FENKO鳳嬌催化室品牌主理人。自2018年FENKO鳳嬌催化室開室以來,除了將既有臺灣製手工紙、機能用紙帶入藝術創作領域,開展紙材的第二生命,致力於媒合藝文設計團隊催化開發紙的生成物,同時也耕耘開發保存修復專業用紙,創造生產者與使用者共好的溝通平台。
Gallery
CREDIT
Tao Art Space 《Stillness》女性藝術家群展
藝術家|李依耘 (Lino Lee)、 陳雲、溫孟瑜、劉子瑜 (Christina Liu)
策展人|李晏禎 (Jenny Lee)
展覽地點:TAO ART (台北市內湖區洲子街79-1號8樓)
展期:2020/9/26-12/12
《被遺忘的維度》作品攝影|簡子鑫
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