返紙入城林 Returning Paper to the Urban Forest
返紙入城林：藝術永續計畫
美術館展品進入建案空間
開啟第二生命與全新價值
FENKO 鳳嬌催化室於臺北市立美術館創作巨型紙裝置《Heterogeneous 崎》，以跨越尺度的實驗翻轉了大眾對紙藝的既定印象。作品強調紙材的有機性與可延展性，不僅展現瞬間的張力，更將紙的「長壽」化為能持續呼吸的藝術生命。
展覽結束後，裝置中的核心元素〈叁石〉移入台南尚暘天閤大廳。作品在挑高空間中懸浮，宛如遠山疊嶂與雲水流動，並結合 MOSSLEE 苔蘚牆，營造出宛如「山石森林」的氛圍，淨化空間也療癒觀者身心。另於梯廳創作的紙幕〈引〉，則以層疊的紙肌理延伸建築中的綠意與霧光，使自然氣息與人造空間產生對話，讓訪客感受紙材在不同場域的多重可能。
FENKO created the monumental paper installation Heterogeneous at Taipei Fine Arts Museum, thirty materials, a dozen techniques, redefining paper and extending the life of art.
After the exhibition, part of the Heterogeneous was relocated to the lobby of 尚暘天閤, a residential building in Tainan—floating like distant mountains and clouds, expanded by a living moss wall byMOSSLEE, a sensory forest for the body and mind. The paper curtain Current flows through the stairwell, carrying greenery, mist, and dialogue with the space.
開幕當日，頌缽音療師 Ashley 於茶道閤樓中進行現場演奏。低沈悠遠的聲波在空間中迴盪，如同一件無形的藝術品，悄然牽引賓客的呼吸與心緒。聲音的振動與紙石的紋理相互呼應，使觀者在靜謐氛圍中放慢腳步，細細凝視作品的質地與肌理。
同時，FENKO 與藝術家李佳玲（小家碧玉）以及複合藝文空間朋丁合作，於實品屋策劃展覽「Soft living; breathe」。展覽融合光線的流動、色彩的漸層與柔軟的雕塑物件，營造出一種可觸可感的生活藝術語境。作品將台南特有的溫暖光影引入居家日常，轉化為一種安定與療癒的能量。
On opening day, singing bowl artist Ashley’s ambient piece became an invisible artwork in the tea room, guiding guests to mindfulness of the paper. FENKO, with Li Jialing and Pon Ding, integrated light, color, and soft sculptures in a show apartment, translating Tainan’s warm tones into daily rituals at home.
